Borrowed the term from botany, Alessandro Zambelli designed this “Afillia” – which means leafless, though not lifeless, and showing how this term perfectly applied in lighting design. The 3D printed light diffuser has lace-like patterns and and geometric pinholes. It diffuses a soft light which creates an impression that the diffuser itself that in light. More description by Alessandro Zambelli:
Stripping away the frills poses the risk of coming up against bare essentials, sometimes in a highly visible way. A fine example are Alessandro Zambelli’s new lights, designed for .exnovo. He calls the collection “Afillia,” a name borrowed from botany. In plant terms, it means leafless, though not lifeless: surely an apt image for a collection of luminous essentials and airy voids.
The Afillia range of six lighting accessories consists of three table lamps and three pendant lights. The base or socket ring is in Swiss pine, a premium wood from the Alto Adige mountains, hand-crafted according to the region’s ancient traditions. The wood fitting locks on to a light diffuser in polyamide (also known as nylon fibre), sintered by professional 3D printing.
The centrepiece of each accessory is a diffuser which embraces and embellishes space. Delicate, lace-like patterns with their geometrical pinholes give rise to two-dimensional origami in thin, curvaceous spirals. Free to waver at will, the light casts fleeting shadows, then beams into unexpected focus, forming compact halos, round and bright. This is energy in fluid form, in the no-man’s land between stuff and shape, air and light.
Design of Lighting